Abstract:
In this thesis, I will argue how the sensation mechanisms in Vüs’at O. Bener’s novel Buzul Çağının Virüsü connect itself to the modernist literature tradition. To explain all these issues, I will discuss how the construction of time and narrative techniques create the world of the novel, and through all these, I will show through which parameters the subject who is in this world/ who is with this world / who has to live in this world shapes itself through all those parameters. During all these processes, I will describe the world limited/ opened through the gaze of the protagonist Osman, who is stuck in triangle of death-life-play.
