This study intends to analyze drama and narrative on Samuel Beckett‘s stage within the context of storytelling. Narrative theory is taken as a departure point here, for Beckett‘s drama with its actor-narrators, never-ending ...

In the long interval between the beginnings of the drama and the contemporary stage, the ghost, with its fundamental liminality, remains one of the most ubiquitous and relevant supernatural figures that appear on theatrical ...

“We are neither in the amphitheater nor on the stage, but in the panoptic machine,” Foucault observes. Yet the stage remains steadily interested in the panoptic machine. Hubs of institutional power continue to concern ...

The legacy of Ezra Pound has long been a source of awe, disturbance and confusion; more so than almost any other poet of the modern age. The Cantos serves as the foundation to that legacy as representative of decades-long ...

Negative capability, coined by the romantic poet John Keats in early 19th Century, is a significant literary concept which defines the creative process and provides tentative guidelines determining the relation between a ...